Warning: extreme spoilers. I will certainly write openly about theending. Okay, the movie came out 35 years ago but don’t say girlfriend haven’t beenwarned…

To me, Eddie and theCruisers has always seemed favor a let go opportunity. The premise ispregnant with possibilities: one investigative reporter (Ellen Barkin), passionate tocapitalize on the rebirth of a defunct rock band, decides to look into thesupposed fatality of the command singer. Did Eddie Wilson (Michael Paré) really diein a 1963 car accident? No body to be found, after all. Or did the fake hisown fatality as a way of fading indigenous the limelight? drawing on real-lifeconspiracy theories that have actually surrounded the untimely demises of famous musicstars native Elvis to Prince, Eddie and theCruisers asks this fascinating “What if?” question. Unfortunately, theanswers it comes up through are less than compelling.

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The film deserve to be divided into 2 pieces. In the currenttimeframe, i m sorry is the year as soon as the movie to be made (1983), everyone that wasonce in Eddie’s orbit has actually moved on. We catch up through them as Barkin’s MaggieFoley monitor them down. The backstory, i beg your pardon chronicles the time from the band’srise come Eddie’s “death”, takes us back two decades. In regards to narrativethrust, the segments from the 1960s work-related considerably much better than those in the1980s. Although yes sir a generic facet to The Cruisers’ arc, there are somenice touches. The “current” portion, however, is trite through hard-to-swallowcharacter evolutions and also a “mystery” the is neither compelling no one satisfyingin that is resolution.

The movie is (mostly) gift from the view of “Wordman”Frank Ridgeway (Tom Berenger), a lyricist who joins the team while it’s stillplaying clubs on the Jersey shore (the Springsteen allusions come fast andfrequently). Prior to Frank’s admission, the Cruisers are consisted of of fivemembers: front-man Eddie; his main squeeze, back-up singer Joann Carlino (HelenSchneider); bassist Sal Amato (Matthew Laurance); saxophonist Wendell Newton(Michael “Tunes” Antunes); and also drummer Kenny Hopkins (David Wilson). Alsohanging about is your manager, Doc Robbins (Joe Pantoliano). Adhering to thesuccess of the Spingsteen-esque song, “On the Dark Side” (a track that soundsexactly like something the Boss could have done, albeit ten years prior to theearliest date when that would have done it), The Cruisers struggle the huge time, andthat’s once the difficulties begin. Sal and Eddie feud, Wendell dies of a drugoverdose, and also the cultivation attraction in between Frank and Joann threaten thefabric of the band. Then comes the fateful night when Eddie’s auto goes into thewater.

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Twenty year later, candid is teaching high school English whenMaggie locates him. Strangely, he no look a job older than he go in 1963.Her inquiries awaken his curiosity. The goes to check out Sal’s nostalgia-driven reinventionof “The Cruisers” with an Eddie-lookalike. The takes a pilgrimage to Atlantic City,where Kenny is a casino dealer. The re-connects with Doc and, together the movielurches toward its climax, Joann walks earlier into his life. Favor Frank, shelooks strangely favor she did when she remained in her 20s. (Apparently, directorMartin Davidson no overly concerned about applying adequate makeup tomake the two-decade space believable.)

Of course, Eddie isn’t yes, really dead, although us don’t find out that until the last sceneand the personalities never number it out. The location character’s resurrection isintended as a surprise yet it’s anything yet that. (Sort of prefer bringing backSpock in a movie called The search for Spock i will not ~ be a shocker.) the feels more like a cheap gimmick thananything else, return it paved the means for the 1989 sequel, Eddie and the Cruisers II: Eddie Lives!

Although Michael Paré’s dramatic power leavessomething to it is in desired, he records the intensity and also charisma that a rocksinger and also combines it with a near-perfect “look.” The just time Eddie and also the Crusiers shines is whenthe band is playing, which regrettably represents a distinctive minority the therunning time. Tom Berenger doesn’t embarrass himself, which is much more than deserve to besaid for many of the various other actors, who performances range from the lower endof trivial to high institution stage play-bad. Ellen Barkin consequently admittedthat she thought the manuscript was terrible but was convinced to carry out the movie by anagent who suggested it to be too much money to happen up.

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Although the movie it s okay the ‘80s best (one would hope thiswould it is in the case because that’s as soon as it to be filmed), it largely botches the ‘60s,at least insofar as the music is concerned. Pretty much every track played byThe Cruisers sounds favor it was composed in the 1980s. The discussion is that thegroup to be “ahead of its time” yet that seems choose a lazy method of saying the thefilmmakers were incapable of do era-appropriate music. “In the Dark Side”got radio airplay, do it every the way to #7 ~ above the Billboard hot 100. Likeanother early 1980s relic, Xanadu, Eddie and the Cruisers boasted betterrecord sales than ticket sales.

The film isn’t completely without merit. As previouslymentioned, the music sequences room well-made and there’s an energy obvious whenThe Cruisers space playing that’s lacking from the rest of the production. Some ofthe material about conspiracy theories and also Sal’s resurrected band echoreal-life elements of the music business. Yet most that the other stuff is badsoap opera and also the resolution of a an enig about who pretending to it is in Eddiein 1983 is cheesy and doesn’t make a the majority of sense.


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Everything goodwill the moviebuilds up throughout its first 85 minutes is thrown away in the idiotic,anticlimactic final ten.